The selected interventions below investigate the punctum as a structuring force within historically and culturally significant images. Through acts of alteration, removal, and reconstruction, they disrupt the elements through which photographs and moving images accumulate meaning, memory, and authority.

The resulting works are not speculative alternatives to the events they depict. Instead, they examine how meaning persists, migrates, or dissolves when an image’s organizing elements are displaced. By altering the relationships through which historical images are understood, the works explore the instability of collective memory and the possibility that new memories may emerge within the space opened by intervention.

Untitled #6 (W.T.P.2), 2004

SD Video
Silent
TRT: 00:09

Untitled #7 (16mm), 2005

SD Video
Silent
TRT: 00:11

Untitled #13 (AHSF), 2006

Digital c-print
20 × 30 inches

Untitled #19 (My Lai), 2006

Digital c-print
20 × 30 inches

Untitled #20 (Trang Bang), 2006

Digital c-print
20 × 30 inches

Untitled #23 (“Lynndied”), 2006

Digital c-print
20 × 30 inches

Untitled #27 (Unknown Rebel), 2006

SD Video
Silent
TRT: 01:09

Untitled #46 (The Awful Grace of God), 2007

SD Video
Silent
TRT: 02:16

Untitled #49 (Christian Rath), 2008

Silver Gelatin Print
Triptych, 17.5 x 22 inches each

Untitled #50 (LES), 2008

Silver Gelatin Print
5 × 8 inches

Untitled #54 (Heligoland), 2009

Silver Gelatin Print
23.5 × 30 inches

Untitled #72 (Majestic 12), 2009

Silver Gelatin Print
15 × 22 inches

Untitled #73 (Condon), 2009

Silver Gelatin Print
28 × 38 inches

Untitled #82 (Newton), 2009

Silver Gelatin Print
14 × 22.5 inches

Untitled #88 (Glenn), 2009

Cibachrome
8 × 12 inches