The selected interventions below investigate the punctum as a structuring force within historically and culturally significant images. Through acts of alteration, removal, and reconstruction, they disrupt the elements through which photographs and moving images accumulate meaning, memory, and authority.
The resulting works are not speculative alternatives to the events they depict. Instead, they examine how meaning persists, migrates, or dissolves when an image’s organizing elements are displaced. By altering the relationships through which historical images are understood, the works explore the instability of collective memory and the possibility that new memories may emerge within the space opened by intervention.
Untitled #6 (W.T.P.2), 2004
SD Video
Silent
TRT: 00:09
Untitled #7 (16mm), 2005
SD Video
Silent
TRT: 00:11
Untitled #13 (AHSF), 2006
Digital c-print
20 × 30 inches
Untitled #19 (My Lai), 2006
Digital c-print
20 × 30 inches
Untitled #20 (Trang Bang), 2006
Digital c-print
20 × 30 inches
Untitled #23 (“Lynndied”), 2006
Digital c-print
20 × 30 inches
Untitled #27 (Unknown Rebel), 2006
SD Video
Silent
TRT: 01:09
Untitled #46 (The Awful Grace of God), 2007
SD Video
Silent
TRT: 02:16
Untitled #49 (Christian Rath), 2008
Silver Gelatin Print
Triptych, 17.5 x 22 inches each
Untitled #50 (LES), 2008
Silver Gelatin Print
5 × 8 inches
Untitled #54 (Heligoland), 2009
Silver Gelatin Print
23.5 × 30 inches
Untitled #72 (Majestic 12), 2009
Silver Gelatin Print
15 × 22 inches
Untitled #73 (Condon), 2009
Silver Gelatin Print
28 × 38 inches
Untitled #82 (Newton), 2009
Silver Gelatin Print
14 × 22.5 inches
Untitled #88 (Glenn), 2009
Cibachrome
8 × 12 inches